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However, through that time I still argued that 35mm full frame was still a small format. It’s a tiny ass little itty bitty format when you compare it to the other formats of photography out today. The thing that I would first consider is depth of field. Medium format then gives you a look and feel that can’t be achieved in smaller formats. You go shoot a portrait with a large format camera, nail that exposure, nail that print… You are cheating yourself out of something mystical, magical, and a royal pain in the ass. He’s still traveling the world with large format cameras and film and all the PITA stuff that goes with that.

I didn’t think that full frame was better just based on size. Some of the trolls out there are going to think this is a Fuji sponsored message. While Fuji is a client of mine and I have done work for them they sure as hell don’t keep food on my table or a roof over my head on any sort of regular basis. The larger the sensor, the shallower the depth of field you get at a given aperture. Photography is art and science and you need to have a foot planted in each of those to be a well-rounded photographer. Here’s what I know: Aperture, focal length, camera to subject distance, and sensor size ALL play a role in depth of field. That’s why I study the likes of Avedon and Mary Ellen Mark and Dan Winters; it’s because of all their gorgeous math. Take a photo with your DSLR at f1.8 and then take the same shot with your cell phone. You are currently standing on the shoulders of many a large format photographer. It gives you a whole new perspective on DSLR photography. You’ll appreciate the speed and agility the 35mm or whatever gives you but you’ll realize how much you are missing as well. You’ll be thankful for your Canon or Nikon or Fuji but you will know there is something out there in the photographic world that it just can’t touch. His coverage of the Olympics with that old Speed Graphic is fantastic and unlike anything other photographers were shooting there. I guess if your name isn’t Greg or Gregory you just need to stick with small format stuff. Cary is a photographer’s photographer and shoots just about every format known to man.

The Panasonic has a 2.0 crop factor compared to a full frame camera like the D3. We go from an 85mm lens to a 56mm lens to a 42.5mm lens.

All of these images were shot from the same distance and all were shot at f 2.8.

Sleeping with someone outside the relationship Contrary to popular belief, the urge to have sex with another person doesn’t always arise out of dissatisfaction and mistrust, but instead it arises out of trust and complete understanding of each other’s needs, romantically and sexually.

I received the test prints back and I taped them to the wall and took one step back. It has a shallow depth of field and the background is out of focus.

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Sleeping with another person outside the relationship isn’t all cute and sexy. Sometimes, a bad lover could use an excuse like this to have an affair right under your nose.

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This XT1 blows my old D100 and D200 images out of the water. I’ve tested the Nikon D800 pixel beast and it still doesn’t come close to matching a medium format camera. And in preparation for making this blog post I have done a lot of pixel peeping at newer APS cameras from Nikon, Canon, Sony, and the rest and I feel confident saying… It’s become this catch phrase for “out of focus” or “shallow depth of field.” When people say, “Wow. I’m going to a “wider” lens and I’m using a smaller sensor. I have math that says…..” I’m so glad you brought math! Stitching medium format starts to give me the feel of large format. You can also see him working on the streets shooting portraits with an 8×10 in this video.

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